Showing posts with label ugliness. Show all posts
Showing posts with label ugliness. Show all posts

Friday, May 18, 2012

The Power of the Powerless

I remember reading a story about a rather wealthy Indian lady who volunteered to work for Mother Teresa for a day, back in the years before Mother Teresa was an international celebrity. This Indian lady arrived at the clinic, which was a house for the dying, and was instantly overwhelmed by what she saw, heard and smelled. I know how she felt, too. Walking into a place like that is an instant sensory barrage of horror and evil. The evil, ugliness and pain are all very sensory phenomena, with their accompanying groans and screams, odors and wounds. The peace and love that the patients experience for the first time in their lives is much harder to see. The sight of raw flesh of a beggar who got run over by a truck is easier to notice than the fact that his wounds have been painstakingly cleaned of dirt, maggots and infection;  emaciated arms and ribs of a man who should weigh 70 kgs but instead weighs barely 30kgs hide the fact that he has just received the first good meal of his life, spoonfed by a woman who has dedicated her life to loving him; the smell of a human being in total kidney failure when his uric wastes are oozing through his pores on his skin disguises the fact that he has just been bathed today for the first time in his life. All of these things are a shock to the system. Even a trained and experienced medical practitioner can be overwhelmed walking into such a scene. Where do you start? What do you do? But this rich lady was a lay person, just an upper caste woman who had a kind urge and decided to volunteer for a day. I can only imagine what she must have been feeling as she stood there, surrounded by the obvious horror of human suffering. She must have been terrified, bewildered, filled with sorrow and helplessness. She must have wanted to turn around, run right back out the door, and never come back.

Fortunately there was something else at work, subtly, quietly, faithfully hidden under the obvious horror. Mother Teresa took this lady by the hand and led her to the most heartbreaking patient of all. A newborn infant was lying on a cushion, alone. Perhaps his parents had abandoned him, or perhaps they were dead. This was not a healthy baby. He was lethargic and emaciated. He did not cry or flail his tiny arms around. He did not startle the way a normal baby should, or grasp with his hands, or even suckle when a nipple or finger was put to his lips. He just lay there with his arms and legs spread out limply around him, breathing with the halting, abrupt, shallow gasps of a baby for whom simply breathing takes too much energy to be worthwhile.

Mother Teresa led the rich lady to this baby and told her simply to pick the baby up and hold him and love him for the few minutes or hours he had left to live. The rich lady protested that she couldn't possibly do that. It would surely break her heart. Mother Teresa only repeated her invitation, and went about her work. Left there in front of the dying infant the rich lady made a choice. She reached down and took that baby in her arms and held him. For the rest of the day she did nothing but love that baby as hard as she could until finally he died in her arms. And her heart broke, but not with anguish as she had expected. It broke with love.

I read this as I was in the first half of the SF medic training course, and it forever changed my view of medicine and healing. As healthcare providers we are trained to save lives. Our thought and energy are bent on staving off death for as long as we can, prolonging life, reducing pain, preventing or mitigating disabilities. All true healers have this goal, but all of us inevitably face the truth that our patients are going to die. Put it off as long as we can, prescribe what we will, in the end death will win. We can only delay it. Sometimes we can delay it for years. Sometimes only for minutes. Sometimes the patient is already dead, but their body just hasn't figured that out yet.

Faced with this truth, each health care provider, from the lowest EMTB to the Surgeon General (who generally does very little surgery from what I hear) has to find his own way of dealing with it. Some choose to ignore it. Some simply shrug their shoulder and move on. Some stop caring eventually. But in Mother Teresa's radical and almost unforgiveable request I believe I have seen the only true way forward. We must look deeply into the horror of death and see past it to the subtle, patient, silent work of love which is operating underneath the horror and pain, stronger and older and wiser than them. In the truly authentic Catholic approach to healthcare there is the acknowledgment that the patient will die, and the deeper knowledge that love is stronger than death. Even if the patient will only live for a few seconds, those few seconds can be lived with dignity. They can be filled with life and love and peace, if someone is brave enough to let God use them to be that gift. Such moments are never wasted.

All of this went through my mind when I saw this video by Tammy Ruiz a Registered Nurse who specializes in Perinatal Bereavement and Perinatal Hospice. I am not at all ashamed to admit that I couldn't watch the full video without tears in my eyes. The work she does is beautiful, heroic and necessary, and alas, all too rare.


Please watch the video and pass it on particularly to any medical proffessionals who are involved in birth and perinatal care. Pray for Mrs. Ruiz and the continuation of her vocation, which is truly a call within a call. Take the time to celebrate life in whatever way you can. This is a solid, concrete answer to the culture of death and a joyful affirmation of the infinite value of every single human person, no matter how small.

Go here to read Mrs. Ruiz's own words on her work.


(The Title of this post is taken from the title of the amazing book by Christopher De Vinck.)

Tuesday, February 7, 2012

The Smile

In response to this writing challenge on lkjslain's site, I wrote this poem. I had no idea where I was going with it, I just started it and kept writing down what came to me. Then I liked it so much that I recorded myself reading it:


Enjoy!

The Smile

I walked alone at night, through streets of gray,
Content to be alone, chasing tales
Hidden, obscure, in corners of crooked paths.
Secrets of those who passed that way before.
The walls and stones see all, and plain as day
Reveal the stories to me, their long lost friend.
For years I wandered thus, full well content
To slip unnoticed around the edge of life
Untouched by the swirling blizzard of human flakes,
I watched, and listened; marveled and passed on.

Then one day a new tale came to me,
Borne on a breeze of ice from the blackest heart
Of the shadowy ways of the City of Dreadful Night
The darkness at the center of that tangled wild.
Somewhere in the labyrinth a woman walks,
Or so the black breeze whispered in my ear,
Pale and tall, fragile and great of heart,
Mighty in soul, shrouded in hood of black,
Walking the city, weeping for her child,
And then, with tears used up, she still walks on
Through dark, dry, hopeless aching night.

I loved her then. It is not too strong a word.
Her grief scored deep my heart, my spirit shrank
At the deadening weight of pain that crushed her soul.
I shrank away in fear, but could not run
For awesome fascination at her strength,
For even yet, (the breezes sighed) she hopes.
The candle is all but snuffed, and yet one spark
One pitiful, stubborn, glorious, relentless spark,
Will not be quenched. She will not fade away.
She loves. There it is. Even still she dares to love.

Just a tale, passed on the fickle wind, and yet,
The weight of its fantasy shocked my sleeping soul
All my actions, pale, transparent and flimsy
Vanished in the shadow of such a love,
Such pain. I slowly turned my trembling steps
Into the night. The darksome labyrinth
Loomed before me, moaned and sucked me in
Into the whirl of pain, despair and hate
Harpies like a pack of howling wolves
Tore at my ears and shivered my resolve,
But yet it held. By ever so little, it held.
I sought her. Through narrow, devious ways I searched
Peeked through cracks in walls and peered through bars
In cellar windows. I kept an eye for her,
And the other looking back, always aware
Of the way out. For I purposed when she was found
That I would take her hand, and gently lead the way
Back, through treacherous paths and hateful looks
And clutching, clawing keepers, to freer air
To a place where light and music, silence and peace
Can still exist, and stories all end well.
Once in those early days I saw a glimpse
Of her face across a crowded, sullen street.
She stepped through a sickly yellow pool of light
From the streetlamp, but she never even paused.
When I crossed and looked again, she was long gone.
I redoubled my efforts, and vowed oneday to bring
A smile to those fair, set, determined lips.

Then one day I saw a fallen child,
With broken wings and tangled dirty hair
Caught in a pit, thrown in an abandoned crypt.
Worn out dreams lay wasted ‘round her feet,
Scornfully plucked in the bud, never to bloom.
Dirty hands tossed cold hard cash her way
To make her dance, or sing, or play to please her crowd.
So ugly, she was. Not the Lady’s child.
That child was long since dead, I know, but still
Once that child had suffered, as now this girl
Suffers. “It won’t take long,” I thought.
“I’ll show her out, and then return to the search.”
I did. I returned to her late at night and broke the lock
And guided her through the well-known maze of streets
To the tangle’s edge, and set her free. She ran
And never once looked back. I turned back in.

I went back to my quest, but once again,
I came upon a child, and once more paused
My dogged search long enough to get him out.
Another glimpse of her, but when I arrived,
Not her, instead two more of these pitiable urchins.
By now the keepers had learned I knew the way.
This time I had to fight to make it through
To the edge, and then frantic I rushed back in.
These distractions had to stop, or I would never find
The Lady; but now whichever way I turned
Were pitiful faces, children, women, the old
The lame, the sick, the hungry and the weak.
I walked with them. One or two at a time I got them out.
I couldn’t turn them away. They told their tales
And I listened, and wept and fought to clear the way.
Every time was harder than the last,
These middle years were years of many scars.
The Keepers scarred my body, the children my heart
And both bled freely, but each time I went back.

And now I am old and tired, and winding down.
My back is bent, my beard is gray and wild
And my hands are crooked, gnarled and lined with scars.
My heart looks much the same, or so I’d guess,
Inscribed as it is with so many tales of pain.
I have not seen the Lady these many years,
Perhaps she lives no more, perhaps never did.
I might have made her up, a silly dream
That will not go away, but holds more firm
Than the rocks I hide behind. Pitiless is hope!
Weariness covers my soul like a hood of black.
I am dying. That’s how it is. I’m glad to go.
Even though there are still so many more,
But I am full of other people’s pains.
I’ve drained to the dregs that goblet of human sorrow.
From the first to the last the stories stay with me,
Of kept and keeper alike, and scars of both.
And now I’m done. Right now, this trip, my last.

I know this one is my last, because I fell,
Just like that, my face hits the city street.
I cannot rise to my feet, my breath is short,
My chest sinks like an anvil on my heart,
As it finally breaks.
                               I have never seen her smile.

But what is this? The falling darkness breaks
The sky goes gray, then teal, then blue, then gold
And light falls on my head with searing heat
And all the weight of gold, poured liquid hot.
Intolerable for one brief hellish breath, far worse
Than life itself, and then a gasp of air;
Only not air. Or rather, this is at last is air.
Before this moment I’ve never tasted air.
I’ve never yet known light before this day.
The brightest day of life was shades of gray,
And air before a vacuum next to this.
This air could make a meal, this light a bath,
A shower, an ocean of curling waves of gold
Washing over and through my broken frame
‘Til Every scar shines out with borrowed light
A gift, a jewel, a royal diadem.
I draw this joy up from the very grass
And a laugh rings from my chest, the very first
I ever truly laughed. Mirth pours out,
Sounding a mad, triumphant organ fugue,
Answered in kind, in brave bright jubilee
In the Lady’s eyes; for there, at last, she stands.

Beautiful as the glowing moon, radiant with light
Over, around, with and by and through
The Light is pleased to shine, and even thus
Lovingly tempered still it is too much.
She smiles.

                   Too much!


                                        I could almost die again.

She stands amid a joyful throng, a Queen
A Mother. Her children, whose stories now are mine
Keeper and kept alike, now whole and free.

Thus I lived and all my life was this.
Was bliss, for I have made my Lady smile.

Friday, September 30, 2011

Afraid of the Dark, Part 2:

Part one, which explains why I was afraid in the first place, is here.
So once I realized I couldn't go back to sleep I picked up my rosary and started saying it. I keep a loaded pistol with a tac-light on the floor by the head of my bed (there are no women or children in the apartment) and a large, razor sharp kukri knife strapped to the head board (no, it’s not paranoia. It’s just a convenient place to keep these things.) And I always have my rosary hanging from the handle of the knife. I say it to fall asleep, or if I wake up and can’t go back to sleep. If I’m awake I may as well be doing something useful, right? Ten decades later (this went on for a bit) I’m feeling a little better. I’ve thought it through pretty well. It’s kind of fun to think about fear as an intellectual exercise while you’re in the middle of. I’ve done that an awful lot and I was doing it this morning. I knew, of course, that this was not a fear with an object. There was no dangerous thing presented to my senses. It was just a fear of the diabolical. I presented the scenario to myself, “What would I do if I did open my eyes and the demon lady was standing there?” Well, honestly I think that would have been less frightening. Sort of a, “Finally. I wondered when you were going to do something,” sort of feeling. It’s always easier when you finally look your enemy in the face and dare him (or her) to do the worst.


I would have reached for the knife probably. I wouldn’t have used the pistol as a first option, because first, it probably wouldn’t accomplish anything, and second, I would be firing in the direction of my roommate’s room. Even with hollow points, I wouldn’t want to bet on the wall stopping my hollow points. On the other hand a knife stirs up a fierce warrior spirit which lessens fear. I realized that if some sort of incorporeal visitor did show up, the primary threat is simply fear. If I can’t hurt it physically, it probably can’t hurt me physically. All it can do is terrorize (this seemed crystal clear to me at the time.) Fear is a painful emotion. It feels toxic, like a burning in my throat, a jittery, unsettled feeling. I control it by long habit, but it is not pleasant. Even jumping out of an airplane is exactly the same. The fear is the primary threat, not the jump. I am consciously aware of this, especially when I am in the middle of some frightening situation, and it allows me to shove the fear off to the side and evaluate it objectively. Eventually I can force my nerves and muscles to respond to my will, despite their reluctance to do so. Breaking out of that freeze is the hard part, after that doing nearly anything can’t be worse than doing nothing at all.

After about an hour of this I finally decided to go and turn on the AC. I did stick the pistol in the back waistband of my shorts. Not that I thought it would do any good, but it is primarily a “just in case” thing anyway. Once I had a clear line of fire, i.e. with no roommate’s room in the background, if something had appeared I probably would have put a couple of rounds right in the center of where it would have had mass, if it were a mass-having type of creature. Purely on the principle of the matter, you understand.

It’s remarkable, though, how much difference it makes having the temperature right. Once the AC was going and the temp started getting down into the sixties, I was able to get comfortable and fall asleep in about one more decade.

I don’t mind not sleeping that much. When I woke up at 0345 I knew that it was likely I wouldn’t get back to sleep again, but I had already gotten about five hours and that would be more than enough to get me through the day. A night or two of poor or no sleep is not something I worry about. Eventually I will get tired and go to sleep. I don’t even really mind the fear. It isn’t so much something I feel as something I look at. It is an inconvenience that will go away eventually.

What I really mind is people who make movies like that and stick previews of them in front of quite a different kind of movie. I don’t like horror movies like that, the supernatural evil type films. I take supernatural evil quite seriously. There really is a devil, he really does hate you and he really can terrorize people. I know some people who have experienced minor levels of it in real life. I know he exists, and that he is stronger than I am, and that if he could he would like nothing better than to terrorize every living person until they went mad from fear. This is not funny. It is not a joking matter.

It does not worry me. He may be stronger than I am, but God is stronger than he is, and I am confident that God will never allow me any trial I cannot bear. To put it another way, no matter what trial He allows me, He will also give me the strength to bear it. That’s what the rosary is about in situations like that, reminding yourself of His faithfulness and trying to pass that on to whoever you’re praying for. But I have to ask, why would you think that’s a good thing to make a movie about? It’s not like jumping out of an airplane or off a bridge into a river for a thrill. This is something evil and ugly you are deliberately exposing your mind to. Why would you want to watch it or encourage those who make it? When it comes right down to it, why would you want to feel afraid? I expect I’ve done my share of frightening things, and when it comes right down to it I’m usually able to gut through it, by the grace of God. Why anyone would want to feel it for its own sake is a mystery to me. Fear sucks. Live without it when you can, face it when you have to. Filling your mind with artificial, pointless human suffering, fictional as it may be, and dosing up on the real fear it produces is a toxic, soul numbing, stupid thing to do.

That’s just my opinion. Does anyone reading this like horror movies? What is your experience of them? Why do you like them?